Using the problematic pairs correctly

What does the authors second and third use of the key term illusion suggest about foreign-policy

Julius caesar. [brutus.] with this, she fell distraught, and, her attendants absent, swallowed fire. cassius. and died so? brutus. even so. cassius. o ye immortal gods! [enter lucius, with wine and taper] brutus. speak no more of her. give me a bowl of wine. in this i bury all unkindness, cassius. cassius. my heart is thirsty for that noble pledge. fill, lucius, till the wine o'erswell the cup; i cannot drink too much of brutus' love. [exit lucius. enter titinius, with messala] brutus. come in, titinius; welcome, good messala. now sit we close about this taper here, and call in question our necessities. cassius. portia, art thou gone? brutus. no more, i pray you. what moral dilemma does brutus confront in this excerpt? brutus lets go of his anger toward cassius and forgives him. brutus decides that he will not mourn portia and will stay loyal to cassius. brutus decides that he is too angry at cassius to remain friends with him. brutus questions whether cassius's life should be ended.

Which statement best describes the way this interaction affects the plot? nora and doctor rank have to find a way to hide their love for each other from helmer. doctor rank's admission of love prolongs the suspense because now nora cannot ask him for . nora and doctor rank have to keep the extent of his illness a secret from helmer later. now that doctor rank has expressed his love for nora, he can no longer come to the house.