Read this excerpt from “the love song of j. alfred prufrock” by t. s. elliot. assuming that eliot's reference to mermaids in this excerpt symbolizes the sources of inspiration of traditional poetry, what do these lines imply? shall i part my hair behind? do i dare to eat a peach? i shall wear white flannel trousers, and walk upon the beach. i have heard the mermaids singing, each to each. i do not think that they will sing to me. i have seen them riding seaward on the waves combing the white hair of the waves blown back when the wind blows the water white and black. we have lingered in the chambers of the sea by sea-girls wreathed with seaweed red and brown till human voices wake us, and we drown. the poet wants to escape from the modern world by reverting to traditional poetry. the poet likes traditional poetry, but he feels incapable of working with traditional forms. the poet draws inspiration from the same sources as traditional poets. the poet feels that traditional sources of inspiration are ineffective in the modern world.

1which is an example of a claim? a . . never give up on a goal or dream just because someone tells you it’s impossible. b people said no one could scale mount everest, but in 1953, sir edmund hilary and tenzing norgay gazed down upon the world from its summit. c a rude remark is like a piece of litter in a national park—the best thing to do is throw it in the garbage where it belongs. d 1903, orville and wilbur wright made the first sustained powered flight in a heavier-than-air machine. review the sentence. actually, we the chair in spain about 20 years ago. 2 which correctly completes the sentence? actually, we the chair in spain about 20 years ago. buy buyed bought boughten

Bescribe a food from your country that many people enjoy

Read the passage from animal farm. "that was part of the arrangement! " cried squealer. "jones's shot only grazed him. i could show you this in his own writing, if you were able to read it. the plot was for snowball, at the critical moment, to give the signal for flight and leave the field to the enemy. and he very nearly succeeded—i will even say, comrades, he would have succeeded if it had not been for our heroic leader, comrade napoleon. do you not remember how, just at the moment when jones and his men had got inside the yard, snowball suddenly turned and fled, and many animals followed him? and do you not remember, too, that it was just at that moment, when panic was spreading and all seemed lost, that comrade napoleon sprang forward with a cry of 'death to humanity! ' and sank his teeth in jones's leg? surely you remember that, comrades? " exclaimed squealer, frisking from side to side. now when squealer described the scene so graphically, it seemed to the animals that they did remember it. at any rate, they remembered that at the critical moment of the battle snowball had turned to flee. but boxer was still a little uneasy. how does the characterization of squealer support the author’s purpose? squealer's dramatic accusations draw parallels between him and stalin’s propagandists. squealer's uncertainty shows that he is not a reliable ally of napoleon and is ineffective with messaging. squealer's ability to get the animals to listen to him shows that any animal can rise to be a leader in time. squealer's humble interactions with the animals reflect the importance of equality and cooperation.