When visually examining an object such as a painting of a face, a person will usually A. raster scan their eyes across the painting, much like a television camera.
B. make eye movements that trace along different contours of the object, until the entire object is perceived.
C. make many saccades, in different directions, to acquire information primarily during the brief pauses at different locations on the object.
D. make many rapid eye movements in different directions, acquiring the most information during the times when the eye is moving across the object.
E. focus on just one point on the painting to obtain a sense of the gestalt.