It was related to the Cubist sculpture of Alexander Archipenko and Raymond Duchamp-Villon and to the Post-Cubist sculpture of Henri Laurens and Jacques Lipchitz. In Torso (1925), for example, Giacometti merged the Classical tradition with the avant-garde and reduced the human body to a grouping of geometric shapes which, together, capture the contrapposto posture. He was also inspired by African and Oceanic art—as in The:.

t was related to the Cubist sculpture of Alexander Archipenko and Raymond Duchamp-Villon and to the Post-Cubist sculpture of Henri Laurens and Jacques Lipchitz. In Torso (1925), for example, Giacometti merged the Classical tradition with the avant-garde and reduced the human body to a grouping of geometric shapes which, together, capture the contrapposto posture. He was also inspired by African and Oceanic art—as in The Spoon Women (1926). Dan people of west Africa carved  spoon type sculptures and they presented their work in the exhibitions in Paris at that time. Giacometti got inspired by those sculptures there.

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