Caravaggio's high contrast of lights and dark as well as the extreme of saint paul create a vivid and dramatic portrayal of the conversion of saint paul.

The appropriate response is foreshortening. It is the visual impact or optical deception that makes a protest or separation seem shorter than it really is on account of it is calculated toward the watcher. Also, a question is regularly not scaled equitably: a circle frequently shows up as an oval and a square can show up as a trapezoid.