1. Militarism is the idea that using military force is a good idea."
True
False

How did the printing press make it difficult for the catholic church to stop the reformation? o a. priests were too busy printing and distributing bibles to oppose protestantism. o b. it created a growing middle class that was no longer interested in religion. o c. critics of the catholic church were able to quickly replace any hey writings the church destroyed. d. there were few printing presses in italy, where leadership of the catholic church was centered.

Use this excerpt from the corpus luris civilis (justinian's law code) to answer the following question: with the aid of god governing our empire, which was delivered to us by his celestial majesty, we carry on war successfully. we ador peace and maintain the constitution of the state, and have such confidence in the protection of almighty god that we do not depend upon our arms, or upon our soldiers, or upon those who conduct our wars, or upon our own genlus, but we solely place our reliance upon the providence of the holy trinity, from which are derived the elements of the entire world and their disposition throughout the globe. --public domain from this excerpt of the prologue of the corpus luris civilis, what departure from older roman traditions is clear? the laws show that the empire has developed a bureaucracy that makes normal soldering unnecessary. the law now honors christianity as a central part of the empire's existence. the law explains that the roman empire is using war to spread roman ideas. the law has replaced old social class divisions with an egalitarian church,

What word best describes the tone of this excerpt from "the fall of the house of usher" by edgar allan poe? i looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which i can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. there was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. what was it—i paused to think—what was it that so unnerved me in the contemplation of the house of usher? it was a mystery all insoluble; nor could i grapple with the shadowy fancies that crowded upon me as i pondered. i was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. it was possible, i reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, i reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eye-like windows. admiration terror hope discovery loss