Is there always a clear distinction between sacred and secular music? What makes a piece of music one or the other? Can secular melodies or musical styles be successfully integrated into sacred music, and is it appropriate to have secular styles or melodies in sacred music (past or present)? Why or why not?

2. what was the significance of the british reform act of 1832? members of the middle class were permitted to run for parliament. members of the working class demanded and received better living conditions. voters were given the right to vote by secret ballot, farm workers, factory workers, and women were given the right to vote.