Which sentences in this excerpt from john barth's "lost in the funhouse" show the postmodern element of self-reflexivity? en route to ocean city he sat in the back seat of the family car with his brother peter, age fifteen, and magda age fourteen, a pretty girl and exquisite young lady who lived not far from them on street initials, blanks, or both were often substituted for proper names in nineteenth century fiction to enhance the illusion of reality. it is as if the author felt it necessary to delete the names for reasons of tact or legal liability. interestingly, as with other aspects of realism, it is an illusion that is being enhanced, by purely artificial means.

Me i will give brainiest which excerpt from the passage most effectively contributes to the development of the theme that the bond between fathers and daughters is sacred and everlasting? '"may i not see the little one, sir, for a moment? ' it was his belief that mini was still the same." "i remembered the day when the cabuliwallah and my mini had first met, and i felt sad. when she had gone, rahmun heaved a deep sigh, and sat down on the floor." "this touch of his own little daughter had been always on his heart, as he had come year after year to calcutta to sell his wares in the streets." "he came close up to me holding out his offerings with the words: 'i brought these few things, sir, for the little one. will you give them to her? "'

How does the author foreshadow trouble in the prison? support your answer with explicit textual evidence.

Which statement accurately interprets kafka's viewpoint and his means of expressing it in the text