Read the following excerpt from the article "vision, voice and the power of creation: an author speaks out," by t. a. barron, and answer the question that follows: another way to tap the power of imagination is through place. my own background as a writer is rooted in nature, having grown up reading henry david thoreau, rachel carson, and john muir long before i ever dipped into madeleine l'engle, lloyd alexander, ursula le guin, e. b. white, or j. r.r. tolkien. my early writings were really nature journals; at nine, i wrote a complete biography—of a tree. (it was a once-majestic chestnut tree not far from my home.) so it should come as no surprise that i view place as much more than just a setting for a story. it is, in truth, another form of character, no less alive and complex, mysterious and contradictory, than the richest character in human form. the author writes that he "wrote a complete biography—of a tree." what message is implied about the tree with this statement? (10 points) 1)the author couldn't think of any other subject for a biography. 2)the author didn't think a partial biography was enough. 3)the author didn't want to speak for the tree. 4)the author believed the tree had a life story, like a person.

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification

In 3 sentences explain how ambrose bierce's use of foreshadowing or flashback influences "an occurence at owl creek bridge "

When using a motivated sequence organizational style, the first a in ansva refers to the introduction. true or false