What is the most accurate statement about american literature in the period between 1915-1935?

The two world wars (World War I, 1914–1918, and World War II, 1939–1945) bracket a period during which the United States became a fully modern nation. Both wars mobilized the country’s industries and technologies, spurred their development, and uprooted citizens. World War I left many Americans distrustful of international politics and committed to steering the nation back to prewar modes of life. Many were wary of the growing influence of socialist and Communist ideas, which they associated with labor unions and immigrant radicals. Congress enacted sweeping exclusionary immigration acts in 1924, radically curtailing the flow of immigrants into the country. For other Americans, World War I ushered in more progressive forms of political and social life. Women and racial minorities gained some civil liberties and some new social freedoms during this period, though they still faced discrimination. Political, social, and cultural life in the United States was transformed by the stock market crash of 1929, which led to an economic depression with a 25 percent unemployment rate. This economic catastrophe was known as the Great Depression. The Great Depression did not fully end until the United States entered World War II in 1941. The war unified the country politically and revitalized industry and employment. The United States emerged from World War II as a major industrial and political power. The literature of the modern period reflects the nation’s attempts to come to terms with the many meanings of modernity. Some writers celebrated modern developments while others lamented them. Most writers believed that old literary forms would not work for new times and were inspired by the possibility of creating something entirely new. Writers of the period debated the uses of literary tradition. Some wanted to honor traditional forms and language and to include allusions to canonical works of the past. Others saw such homage as imitative or old-fashioned. Still others used literary tradition oppositionally—alluding to canonical literature ironically or fracturing traditional literary formulas. Writers of the period also debated the place of popular culture in serious literature. Some embraced popular forms while others rejected them as cynical commercialism. Another issue was the question of how far literature should engage itself in political and social struggle. Some felt that art should participate in the politics of the time, while others believed that art should remain a domain unto itself.