Eventually, it was my turn to say my line in front of the entire class. even though this was a rehearsal, my palms got sweaty and my spine turned to ice. what if i said it wrong? even worse, what if i forgot my line entirely? i shoved these thoughts away and opened my mouth to speak. this paragraph includes an example of layering the see method exposition foreshadowing

Read the quote below: "it's fine work. monday bum millay, wednesday whitman, friday faulkner, burn 'em to ashes, then bum the ashes. that's our official slogan." (bradbury). which of the follow literary terms is present in the quote? : a) allusion b) personification c) metaphor d) simile

The "most dangerous game" is a short story about a hunter, rainsford, who ends up getting hunted himself on ship-trap island by another man. this passage is part of the story's exposition. what technique does the author use to foreshadow the plot twist which is to come? a) the humor that the men share at the beginning of the story changes into tragedy and horror in an ironic way. b) whitney's lack of empathy for the hunted foreshadows that he will have to learn how the hunted feels-- the hard way. c) whitney's inability to see the island, even though he is known to have great vision, foreshadows his blindness about hunting. d) rainsford's lack of empathy for the hunted foreshadows that he will have to learn how the hunted feels-- the hard way.

The following excerpts that illustrate darl's and cash's points of view from william faulkner's as i lay dying: from darl: tull's wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. in the wagon bed are two chairs. jewel stops at the spring and takes the gourd from the willow branch and drinks. i pass him and mount the path, beginning to hear cash's saw. when i reach the top he has quit sawing. standing in a litter of chips, he is fitting two of the boards together. between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, cash is. he holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. he kneels and squints along the edge of them, then he lowers them and takes up the adze. a good carpenter. addie bundren could not want a better one, better box to lie in. it will give her confidence and comfort. i go on to the house, followed by the chuck. chuck. chuck. of the adze. from cash: i made it on the bevel. there is more surface for the nails to grip. there is twice the gripping-surface to each seam. the water will have to seep into it on a slant. water moves easiest up and down or straight across. in a house people are upright two thirds of the time. so the seams and joints are made up-and-down. because the stress is up-and-down. in a bed where people lie down all the time, the joints and seams are made sideways, because the stress is sideways. except. a body is not square like a crosstie. animal magnetism. the animal magnetism of a dead body makes the stress come slanting, so the seams and joints of a coffin are made on a bevel. compare how the two narrators tell the story of addie bundren's impending death. is either narrator reliable? explain what the reader learns about each narrator. be sure to use specific details from the text to support your answer.