Me need ! harlem [2] by langston hughes what happens to a dream deferred?       does it dry up       like a raisin in the sun?       or fester like a sore—       and then run?       does it stink like rotten meat?       or crust and sugar over—       like a syrupy sweet?       maybe it just sags       like a heavy load.       or does it explode? poem 4 hold fast your dreams by louise driscoll hold fast your dreams! within your heart keep one still, secret spot where dreams may go, and, sheltered so, may thrive and grow where doubt and fear are not. o keep a place apart, within your heart, for little dreams to go! how do the authors use rhyme to create emphasis? question 2 options: a) hughes uses rhyme scheme to create continuity; driscoll uses rhyme scheme to disrupt the poem. b) hughes uses rhyme scheme to disrupt the poem; driscoll uses rhyme scheme to create continuity. c) hughes does not rhyme the lines he wants to emphasize; driscoll rhymes the lines she wants to emphasize. d) hughes rhymes the lines he wants to emphasize; driscoll does not rhyme the lines she wants to emphasize.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects