Tania is at the library because she wants to know if a book she loves is available. read the sentences below and put them in order to give meaning to the dialogue between tania and the library attendant. ©istockphoto. com/adamkaz ( ) yes, it is. it is a novel. ( ) yes, he is! i am looking for the shadow of the wind. ( ) it is all right. i’ll come back next week. ( ) who is the author? ( ) you’re welcome! (2) hi! is it your favorite book? ( ) hello, i am looking for a book. ( ) oh! zafón… is he spanish? ( ) he is carlos ruiz zafón. ( ) let me check. oh, i am sorry. it is not available now.

entrepreneur give a lot of money to people so the answer is a

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

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next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?