Read the following original passage and paraphrase and then answer the question below: Original Passage spoken by Don Tron from his documentary Comic Book Craze: You now, I see grown men and women and small children-grandmas and grandpas even -getting into the scene because there has finally been a heightened awareness of just much artistry and skill it takes to turn out something that looks like it took twenty minutes . Paraphrase: Don Tron believes that the heightened awareness of just how much artistry and skill goes into producing these works is why so many people have become engrossed in the comic book industry What is problematic about a student who paraphrases the following passage the way he does? The problem is that the student has not given credit for the borrowed passage since there are no parentheses. The student should have put quotation marks around the text he used word-for word. All of the above problems are present in the student's quote. There is no issue because credit is given and although the student used some exact words , he mostly paraphrased

arah orne jewett first published "a white heron" in her 1886 collection, "a white heron and other stories." this short story tells the tale of what happens when sylvia, a 9-year-old girl living deep in the forest with her grandmother, meets a young hunter looking to capture, and kill, the white heron living in sylvia's woods. the climax occurs when sylvia must decide whether to him or protect the bird.

rising action

leading up to the climax of the story, the nameless young hunter befriends sylvia and her grandmother, mrs. tilly. he explains to mrs. tilly that he is bent on "stuffing and preserving" a little white heron that he believes lives near their cottage. mrs. tilly offers up that "[t]here ain't a foot o' ground" that sylvia doesn't know and suggests that she may be able to him find the bird.

climax

after following, but not really , the young hunter on his search for the heron, sylvia slips out of bed alone in the middle of the night to find the heron for herself. perched at the top of a gigantic pine tree, sylvia spots the heron, and its nest, in a dead hemlock tree across the way. the following morning she returns home to find her grandmother and the hunter waiting for her at the door. in the moment when she plans to tell the hunter where to find the heron, she suddenly decides to protect the heron and remain silent; even the promise of much needed money does not sway her.

explanation:

now, of course, the quality and the seasonability of these winter dreams varied, but the stuff of them remained.   they persuaded dexter several years later to pass up a business course at the state university—his father, prospering now, would have paid his way—for the precarious advantage of attending an older and more famous university in the east, where he was bothered by his scanty funds. but do not get the impression, because his winter dreams happened to be concerned at first with musings on the rich, that there was anything merely snobbish in the boy. he wanted not association with glittering things and glittering people—he wanted the glittering things themselves. often he reached out for the best without knowing why he wanted it—and sometimes he ran up against the mysterious denials and prohibitions in which life indulges.

there you go thats what we are missing

the answer is fantasy