The next day, Mrs. Weera, Mother, and Nooria tell Parvana their plan: theyâll turn Parvana into a boy. Posing as their male cousin from Jalalabad, Parvana will be able to work and shop in the market. Nooria nastily says that no one will ask about Parvana, but Parvana knows itâs trueânone of her friends have seen her since the Taliban closed the schools, and her relatives are scattered. Motherâs voice catches as she says that Parvana will wear Hossainâs clothes. Parvana says this wonât work since she has long hair, but Nooria pulls out the sewing kit and snaps the scissors open and closed. Parvana shrieks that they canât cut her hair. She says they can cut Nooriaâs hair, since Nooria is the oldest and itâs Nooriaâs responsibility to look after her, but Nooria looks at her adult body and points out that no one will believe sheâs a boy.
The suggestion that Parvana allow the adults to turn her into a boy is offensive to Parvana because in her mind, it means giving up everything she knows and loves about herself. Even if her hair isnât as beautiful as Nooriaâs, itâs still something that makes Parvana who she is. Further, the frantic suggestion that Nooria turn into a boy instead reveals that Parvana believes this is too much to ask. And indeed, itâs a lot of responsibility to place on an 11-year-old. But given the circumstances, thereâs little else the family can do to make ends meet.
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Parvana snaps that sheâll be curvy soon, but Mother heads off the fight by saying theyâll deal with that later. For now, the fact remains that Parvana is the only one who can play the part. Mrs. Weera says that this has to be Parvanaâs decision. They can force her to cut her hair, but Parvana has to be willing and able to play the part in the market. Realizing that Mrs. Weera is right, Parvana agrees. Knowing itâs her choice makes it easier. Nooria announces that sheâll cut Parvanaâs hair, but Mother takes the scissors and Hossainâs clothes and leads Parvana into the washroom. Parvana watches in the mirror as Mother cuts her hair off at her neck. Mother holds the chunk up and suggests they keep it tied with a ribbon, but Parvana refuses. Her hair doesnât seem important anymore.
Mrs. Weeraâs ability to present this to Parvana as a choice helps Parvana see that she does have a choiceâand if she chooses not to play along, the fact remains that her family will starve. Knowing this, the choice becomes clear. And with that choice, the lopped-off hair comes to represent a younger, more immature version of Parvana. Cutting off her hair helps Parvana see that she can mold herself to become the kind of person she wants to beâand her willingness to agree to the plan suggests she wants to be someone who cares for her family and makes the necessary sacrifices to do so.
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Mother continues to cut. Parvana starts to feel like a different person as her forehead gets bigger and her ears stick out. Her hair curls, and the short cut makes her eyes look bigger. Parvana decides she has a nice face. When Mother announces that sheâs done, she leaves Parvana alone to change. Parvana rubs her hands over her head and decides she likes it. She pulls on Hossainâs pale green shalwar kameez. Though the trousers are too long, if she rolls them up they fit okay. The shirt has pockets, which is a nice change from girlsâ clothes. When Mother asks if Parvana is finished, Parvana steps out. Maryam looks confused until she realizes itâs Parvana. Mother says âHossainâ and looks ready to cry, so Nooria insults Parvana as a distraction.
Simply experiencing what itâs like to wear boysâ clothes gives Parvana a sense of whatâs possible now that people donât see her as a girl. With pockets, she can carry money, candy, or whatever small items she findsâsomething she couldnât do before. This gives her more control over how she conducts her life. Itâs also telling that itâs only once her hair is gone that Parvana decides she has a nice face. This suggests that her hair and the immaturity it represented is what was holding her back before.
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Mother hands Parvana a white cap with beautiful embroidery, gives Parvana money and a scarf, and then sends her out. Parvana reaches for her chador, but Nooria reminds her she wonât need it. Suddenly terrified that someone will recognize her, Parvana pleads with Mother to not force her to go out. Nooria nastily accuses Parvana of being scared, but Parvana spits that itâs easy to call her scared when Nooria is safe inside. Parvana slams the door on her way out.