Crane wrote The Red Badge of Courage to convey the reality of war and its impact on humans rather than to glorify it. At times, he conveys a mocking attitude toward the subject.

Which quotations from the text help to convey Crane's tone?

Select the two correct answers.

A: "A shell screaming like a storm banshee went over the huddled heads of the reserves."

D: "During this halt many men in the regiment began erecting tiny hills in front of them. They used stones, sticks, earth, and
anything they thought might turn a bullet."
C: It was surprising that Nature had gone tranquilly on with her golden process in the midst of so much devilment."

D: "They were always busy as boos, deeply absorbed in their little combats."

harmed

explanation:

which of the following was specifically permitted by the emancipation proclamation?

free african americans were allowed to fight for the confederacy.

free african americans were allowed to enlist in the union army and navy.

enslaved people in border states were allowed to move to the north.

enslaved people in border states were allowed to become confederate citizens.

scout gets in a bad position on the primary day of school since she can read and on the grounds that she can compose. she likewise gets in a bad position for explaining to miss caroline that she shouldn't attempt … to loan cash to walter on the grounds that he won't take it since he is to poor to pay it back.

there are several different forms of presenting this; each has a very specific format. plays have a very simple format; teleplays, for television shows, or screenplays, for movies, have more complex and strict rules for formatting.

drama

the first of these to be written for the express purpose of being performed were created by the greeks. many of our modern terms derive from greek origins.

comedy

in the greek sense, a play that doesn't end in death. in modern usage, refers to a play that is humorous.

tragedy

in the greek sense, a play that ends with the death of at least one of the main characters. in modern usage, refers to a play that doesn't have a happy ending.