Based on the passage above and the role of women in society at the time, what can you infer is the author’s implied meaning of the first line: “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife”? A. The author’s meaning is literal; she directly states that every woman wants to be a wife.

B. The author’s tone is ironic; she implies that everyone thinks a single, rich man must want to get married; however, in reality, this isn't necessarily true for every situation.

C. The author’s tone is romantic; she suggests that marriage is what everyone seeks, no matter how rich or poor.

D. The author’s tone is ambiguous; she tries to intentionally confuse the reader to create a sense of mystery.

Ineed advice. i have a lot of friends at school but recently my best friend for some reason didn’t like our friend group. she wanted to switch to a new table during lunch. she said she found a new table where we would be welcomed if i wanted to come. i agreed because i knew i would continue to talk to them outside of lunch. after a month or two, my best friend got mad at our new lunch table group. so she left for a day or two, but i stayed because i actually kinda liked it there, even if it was kinda crazy. then she came back to the table. eventually i started to miss my old friends at my old lunch table. so i went over there for one lunch. then after lunch i sat at my new lunch spot before the bell rang. they all called me a traitor. so now i sit with my old lunch group, which is fine because i missed them, but i also miss my new, now old, lunch table. what should i do? p. s. sorry if you loose your last brain cells trying to understand this.

Which lines in this excerpt from act b of shakespeare macbeth tell the audience that macbeth realizes his mistake and regrets his ambition

Which of the following is true of theme? a. theme is what readers learn from the character's experiences. b. there is only ever one theme in a story or poem. c. there is usually no hint of a story's theme until the climax. d. theme is developed only through dialogue.