3. Revise and edit the paragraph. Ensure that it uses correct pronoun-antecedent agreement. When Steinbeck shifts the setting to the moving car though, we learn different things about
Elisa. For example, when the car passes the stranger's team of livestock, Elisa makes an
important gesture by turning away from them, showing her internal struggle. The road setting
also reveals Elisa's vulnerable side. One of the story's final paragraphs depicts Elisa huddled in
her coat and crying as the car continues to speed along. Without this new setting, Elisa might
never have learned the true intentions of the stranger Each of the details of the setting that
Steinbeck focuses on reveals Elisa's vulnerability in their own way.

now, of course, the quality and the seasonability of these winter dreams varied, but the stuff of them remained.   they persuaded dexter several years later to pass up a business course at the state university—his father, prospering now, would have paid his way—for the precarious advantage of attending an older and more famous university in the east, where he was bothered by his scanty funds. but do not get the impression, because his winter dreams happened to be concerned at first with musings on the rich, that there was anything merely snobbish in the boy. he wanted not association with glittering things and glittering people—he wanted the glittering things themselves. often he reached out for the best without knowing why he wanted it—and sometimes he ran up against the mysterious denials and prohibitions in which life indulges.

there you go thats what we are missing

i think it could possibly be b

i believe the answer is a.

explanation:

hope my answer has you!