Which two sentences contain Ronald Reagan's main argument in this excerpt from his 1964 speech "A Time for Choosing? As for the peace that we would preserve, I wonder who among us would like to approach the wife or mother whose husband or son has died in
South Vietnam and ask them if they think this is a peace that should be maintained indefinitely. Do they mean peace, or do they mean we just
want to be left in peace? There can be no real peace while one American is dying some place in the world for the rest of us. We're at war with
the most dangerous enemy that has ever faced mankind in his long climb from the swamp to the stars, and it's been said if we lose that war, and
in so doing lose this way of freedom of ours, history will record with the greatest astonishment that those who had the most to lose did the least
to prevent is happening Well think it's time we ask ourselves if we still know the freedoms that were intended for us by the Founding Fathers
No

i think the answer is c. there are many strengths

i hope this and if its correct mark me brainliest

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran