What is being conveyed through the following passage from the essay “Made in Taiwan? How a Frenchman Fooled 18th-Century London” by Benjamin Breen? "Posterity has treated Psalmanazar as little more than a literary footnote. Throughout the nineteenth and twentieth centuries, authors would retell his story as either a humorous anecdote or a tragic tale, depending on their personal inclinations."
A) The body of the essay.
B) The counter claims of the text.
C) The claim of the text.
D) The concluding statement.

Which sentence from a student's reflective essay contains a subject and verb error and needs to be edited? a. in my opinion, some of the voters seemed to need more information about their candidates. b. the documentary showed that dollars are often used instead of rubles in russia. c. the research shows that jackets made of wool are warmer than those made of cotton. d. in my opinion, either the doctors or the chief administrator need to make a quick decision.

I’m robert frost poem “mending wall”, what does the narrator have on his side of the wall? a. a pine forest b. a cow farm c. an apple orchard d. a rabbit nursery

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.