Read this excerpt from “The Story of the Porter and the Three Ladies” and answer the question. ONCE upon a time there was a porter in Baghdad who was a bachelor and who would remain unmarried. It came to pass on a certain day, as he stood about the street leaning idly upon his crate, behold, there stood before him an honorable woman in a mantilla of Mosul silk broidered with gold and bordered with brocade. Her walking shoes were also purred with gold, and her hair floated in long plaits. She raised her face veil and, showing two black eyes fringed with jetty lashes, whose glances were soft and languishing and whose perfect beauty was ever blandishing, she accosted the porter and said in the suavest tones and choicest language, "Take up thy crate and follow me."

The porter was so dazzled he could hardly believe that he heard her aright, but he shouldered his basket in hot haste, saying in himself, "O day of good luck! O day of Allah's grace!" and walked after her till she stopped at the door of a house.

The above excerpt is a good example of the many storytelling devices used in 1001 Nights except .

Read this excerpt from holes. he had no sailing experience, but the ship’s captain signed him aboard. the captain could see that elya was a man of great strength. not everybody could carry a full-grown pig up the side of a mountain. it wasn’t until the ship had cleared the harbor and was heading out across the atlantic that he suddenly remembered his promise to carry madame zeroni up the mountain. he felt terrible. what information does this flashback provide about elya? a. elya did not intend to break his promise to madame zeroni. b. madame zeroni is very angry and disappointed in elya. c. elya is terribly afraid of madame zeroni’s curse. d. elya does not care what happened to madame zeroni.

Ican’t find this question here can y’all tell me the awnser?

*ill give best answer brainliest*read the excerpt below and answer the question. we did not know, as yet, which was the better side, right or left, which road led to prison and which to the crematoria. still, i was happy, i was near my father. our procession continued slowly to move forward. another inmate came over to us: “satisfied? ” “yes,” someone answered. “poor devils, you are heading for the crematorium.” he seemed to be telling the truth. not far from us, flames, huge flames, were rising from a ditch. something was being burned there. a truck drew close and unloaded its hold: small children. babies! yes, i did see this, with my own eyes . . children thrown into the flames. (is it any wonder that ever since then, sleep tends to elude me? ) so that was where we were going. a little farther on, there was another, larger pit for adults. what is the conflict portrayed in this excerpt from elie wiesel’s night? select all that apply. the external conflict between the nazis and the jews the external conflict between the nazis and the allies the external conflict between wiesel and the inmate the internal conflict between wiesel’s memory of the burning bodies and his desire for peaceful sleep