Which best describes the point of view Murkherjee hopes to encourage in her readership in "A Four-Hundred-Year-Old Woman"? Click here to refer to the passage.

that Third-World immigrants are just as much a part of America as are European immigrants
that where we choose to live defines who we will become
that writers have a literary duty to give voice to their ancestors
that America is comprised of people from all over the world who have rich stories to share

halloween: it’s my favorite holiday

halloween is one of the best holidays for some people but it can also be scary for others. halloween is a holiday where some people believe spirits and soul of the dead that haven’t moved on will come back again to haunt the lives of the living. this is why many people dress up in costumes to disguise themselves as someone else. some people like us wish to be something that we would benefit in life from. like angels of god. some dress up just to be unique from the others. many families stay home and watch scary movies and others dress in their tremendous costumes and knock on each door to either get a trick or a treat.

personally everybody loves halloween because i could be someone else one day out of the year. it’s fun and entertaining, especially for kids. halloween also has a lot of history. many myths and beliefs say that witches and warlocks are alive and living among us. is this a trick or a truthful treat?

halloween may have secrets and scary things behind the door but we love halloween and it is beautiful to see how happy children are when each door opens full of treats and goodies. it makes everyone happy. happy halloween day.

happy to .

pls mark as brainliest.

can you put the options and excert up

what does jane think of mr. rochester the first time she meets him?

b.he is average height, 35 yrs old and not very handsome

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran