A. If we do refuse to allow the rich,
desirable, and important Hawaiian
Islands permission to become a part of
our territory, it will be an act of utter
recklessness and indifference in respect
to our interests as a nation and our
welfare as a people. It is certain that our
duty to ourselves requires us to accept
this offer.
B.
C.
D.
Why does the language of these sentences make
an effective closing to Bingham's argument?
A. Words like "permission" and "respect" remind
the audience that they must honor the islanders'
wishes.
B. Words like "recklessness" and "indifference"
humiliate the audience members who oppose
annexation.
C. Words like "duty" and "nation" call upon the
audience's higher values in the matter of Hawaii.
D. Words like "rich" and "welfare" emphasize the
economic disparity between the audience and
islanders.

cugoano was one the first emerging forces to abolish slavery in the 18th century. the belief that cugoano states on "people who oppose slavery deserve praise" refers to those who like him supported the thoughts of abolishing slavery, thus making improvements in the society and civilization of those days and in the future.

his belief "who are worthy of universal approbation" is supported by "and as we hear tell of the kings of europe having abolished the infernal invention of bloody tribunal of the inquisition, and the emperor and others making some grand reformations for the happiness and good of their subjects; it is to be exalted and liberal principles will lead them onto greater " those leaders who have agreed on following the natural right of freedom and equality for all were so valuable in a global scale.

i need more info to solve

in railroad songs, workers swung their hammers during the offbeat. work songs combined with traditional musical and lyrical forms, such as hymns and ballads, to create spirituals, the blues, and other jazz styles. this blending of old and new can be seen when comparing the lyrics to the traditional irish song "lass of roch royal" and the blues song "the deal."

as work songs and other forms of jazz developed, jazz music spread across the united states. for example, a jazz style known as dixieland went from new orleans to chicago by means of the famous trumpet player louis armstrong. the original dixieland band developed out of armstrong's influence and, in the early 1920s, moved to new york city. once jazz reached new york, especially harlem, its development

the answer is b: the authors use events from french history to demonstrate how attitudes toward slavery and the sugar trade changed during the 1700s."