I need help writing a stream of consciousness narrative in third person from this paragraph. At this moment, I am thinking about all the things that can happen in my house and the dangers my children could be put in. Right now it is 3:16 am as I write this and my children are sound asleep, but I always think of the worst. At nighttime, I always think about terrifying things happening because I have a fear someone might kidnap them or murder us or worse. Now this might not be very logical and in no way am I really in harm's way, but as a parent, you develop different kinds of fears. I always make sure everything is locked; all the doors, windows, even the room door where we sleep. I'm just a paranoid mama for my children's sake and I really don't know why. I've tried to get over it and think positive, maybe I just used to watch too many scary movies I don't know, but it's just really hard for me to not worry about my kids when it's time to go to sleep.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects