Cctavia E. Builer, "Furor Scribendi" from BloodChild and Other Stories. Copyright ©1996, 2005 by Octavia E. Butler. Reprinted with th Seven Stories Press, www. sevenstories. com.
In the first paragraph, the author supports her claim that writers should go to writers' workshops" (sentence 1) by
A
assessing whether workshops can improve writers' ability to judge their own works
B
noting that workshops provide opportunities to write for diverse media, including television
С
explaining how workshops can help writers learn unpleasant but valuable lessons
D
highlighting the value of workshops for writers at different stages in their careers
E
dispelling the misperception that workshops may stifle writers' creativity

The point of view that london uses in white fang the reader understand the perspectives

Returning from vietnam, we were given a parade. crowds of screaming people waving signs — not just on one road, one day. no, they were everywhere. every day. on the streets, on the television, on the radio. a hot, angry tangle of shaking fists and ugly words that threatened us like a monster with a hundred heads. our country had chewed us up and spit us out, and now we were being treated as if it were our fault. which sentence best uses figurative language to match the paragraph's tone? a. our feet were frozen in place as the street itself strained to hold us back. b. i felt unappreciated and condemned for actions i had thought were heroic. c. i hadn't expected to find myself in a rags-to-riches situation such as this. d. we had come home to a feeding frenzy and were being treated as bait.

How does this comparison reinforce what powell is trying to say in this paragraph