HELP PLEASE IF YOU HAVE READ THE OUTSIDERS Write a paragraph (at least 7 sentences) explaining why you believe each of the Greasers - Ponyboy, Johnny, and Dally - could be considered a hero. Include your own definition of hero in the essay, and be sure to explain how each character, in his own way, meets your definition. Remember to support your ideas with examples from the story.
I’LL MARK BRAINLIEST IF YOU DO IT GOOD THANK YOU!!

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explanation:

free points are committed here! first to answer by writing this question and post is as an answer gets brainliest and everybody gets 30 !

" the king sits next to a crown , which symbolizes his power" is   correct   the king is standing on his feet wearing expensive clothing next to the crown.

"the king is wearing elaborate clothing." is correct. this is a symbol of wealth and   royal power.

the king is not dressed like a soldier but like a monarch.

"the king has a sword but he   sits next to a helmet" is correct.

the king is not sitting on the floor.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran