Which sentences in this excerpt from arthur conan doyle's "the contest" suggest that the author’s tone is mocking?

the blue-clad player struck several chords upon his lyre, and then burst suddenly out into the “ode of niobe.” policles sat straight up on his bench and gazed at the stage in amazement. the tune demanded a rapid transition from a low note to a high, and had been purposely chosen for this reason. the low note was a grunting, a rumble, the deep discordant growling of an ill-conditioned dog. then suddenly the singer threw up his face, straightened his tubby figure, rose upon his tiptoes, and with wagging head and scarlet cheeks emitted such a howl as the same dog might have given had his growl been checked by a kick from his master. all the while the lyre twanged and thrummed, sometimes in front of and sometimes behind the voice of the singer. but what amazed policles most of all was the effect of this performance upon the audience. every greek was a trained critic, and as unsparing in his hisses as he was lavish in his applause. many a singer far better than this absurd fop had been driven amid execration and abuse from the platform.

What is the most likely reason why the movie director left out this part of the novel?

Select the correct text in the passage. which two sentences in this excerpt from f. scott fitzgerald's "winter dreams" seem to foreshadow dexter’s future obsession with “possessing” judy jones? now, of course, the quality and the seasonability of these winter dreams varied, but the stuff of them remained. they persuaded dexter several years later to pass up a business course at the state university—his father, prospering now, would have paid his way—for the precarious advantage of attending an older and more famous university in the east, where he was bothered by his scanty funds. but do not get the impression, because his winter dreams happened to be concerned at first with musings on the rich, that there was anything merely snobbish in the boy. he wanted not association with glittering things and glittering people—he wanted the glittering things themselves. often he reached out for the best without knowing why he wanted it—and sometimes he ran up against the mysterious denials and prohibitions in which life indulges.

Read the excerpt from muir's essay "calypso borealis" and answer the question. [5] how long i sat beside calypso i don't know. hunger and weariness vanished, and only after the sun was low in the west i splashed on through the swamp, strong and exhilarated as if never more to feel any mortal care. at length i saw maple woods on a hill and found a log house. i was gladly received. "where ha ye come fra? the swamp, that awfu' swamp. what were ye doin' there? " etc. "mony a puir body has been lost in that muckle, cauld, dreary bog and never been found." when i told her i had entered it in search of plants and had been in it all day, she wondered how plants could draw me to these awful places, and said, "it's god's mercy ye ever got out." examine the details muir includes in this paragraph. which statement accurately explains how muir's response to nature compares to the log house owner's response? he is enthusiastic and in awe while she is doubtful and fearful. muir cautiously admires whereas the lady shows religious dedication. the lady is more interested in the bog while muir is fascinated by plants. they both admire nature—its intense dangers and its true treasures.