Read the following excerpt from the article "vision, voice and the power of creation: an author speaks out," by t. a. barron, and answer the question that follows: yet deeper than character, or even place, is another concept: voice. more than any other doorway to the imagination, i find this one the trickiest to open—and the hardest to close. for a character's true voice is heard, its tones, cadences, and ideas are long remembered. the ancients [people from ancient history] used anima, in fact, to describe breath as well as soul. that is wholly appropriate, for in the breath—the voice—of a character lies its essential spirit. if the writer can truly hear the voice of a character, so will the reader. what does the author explicitly say can be found in the voice of a character?

doorways
place
ancients
spirit

Iwill give brainliest1.when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can't go to the public amusement park that has just been advertised on television, and see the tears welling up in her little eyes when she is told that fun town is closed to colored children, and see the depressing clouds of inferiority begin to form in her little mental sky… •type of figurative language: •meaning of figurative language: •effect on tone and mood: •effect on audience: 2.like a boil that can never be cured as long as it is covered up but must be opened with all its pus-flowing ugliness to the natural medicines of air and light, injustice must likewise be exposed, with all of the tension its exposing creates, to the light of human conscience and the air of national opinion before it can be cured. •type of figurative language: •meaning of figurative language: •effect on tone and mood: •effect on audience: 3.over and over again i have found myself asking: "who worships here? who is their god? where were their voices when the lips of governor barnett dripped with words of interposition and nullification? where were their voices of support when tired, bruised, and weary negro men and women decided to rise from the dark dungeons of complacency to the bright hills of creative protest? " •type of figurative language: •meaning of figurative language: •effect on tone and mood:

Which word identifies the purpose of the essay? a. direction b. directive c. defectiveness d. none of these select the best answer from the choices provided a b c d

In at least one hundred words, discuss how the man with the umbrella in sorrentino’s “there’s a man in the habit of hitting me on the head with an umbrella” is an example of an extended metaphor and what central theme he conveys.