Yet deeper than character, or even place, is another concept: voice. more than any other doorway to the imagination, i find this one the trickiest to open—and the hardest to close. for a character's true voice is heard, its tones, cadences, and ideas are long remembered. the ancients [people from ancient history] used anima, in fact, to describe breath as well as soul. that is wholly appropriate, for in the breath—the voice—of a character lies its essential spirit. if the writer can truly hear the voice of a character, so will the reader. what does the author explicitly say can be found in the voice of a character? doorways place ancients spirit

Which is the best paraphrase of the text? the capability of a bicycle makes some people want to go very fast and others to go very slow. as long as you are careful, feel free to ride like the wind. when feeling brave on a bicycle you should ride fast, but when feeling afraid riding slow is wise. if you are unable to coast, it is pointless to even ride. if you’re going to ride a bicycle, you should throw caution to the wind and take over the road, swerving where you like and taking full advantage of your ride. it’s a real joy to be able to ride a bicycle, where you have the choice of going as fast or as slow as you like, using as much courage as you feel like using.