County attorney. here’s a nice mess.
(the women draw nearer.)
mrs. peters (to the other woman). oh, her fruit; it did freeze. (to the lawyer). she worried about that when it turned so cold. she said the fire’d go out and her jars would break.
sheriff. well, can you beat the women! held for murder and worryin’ about her preserves.
county attorney. i guess before we’re through she may have something more serious than preserves to worry about.
hale. well, women are used to worrying over trifles. (the two women move a little closer together.)
in a film production, where should the camera focus if the director wants to emphasize the men’s emotions?
on the women’s actions
on close-ups of the women
on close-ups of the men
on the characters’ costumes

What point was thomas paine trying to make by relating this antidote

How are the characters of tablin and keyn revealed in this excerpt from "the guard" by simon dunbar? a. indirectly through dialogue and by thoughts and actions b. directly through a narrative description c. indirectly through dialogue "where's my horse? " keyn asked. tablin looked around the dirt courtyard. he tried to peer through the shadowy arches of the flowing barrel. he even twisted in his saddle to look across the merchant's bazaar, past tents and warehouses filled with goods. "i don't know," he said. "did you leave it in your mouth? it's the only place i can think of that's big enough." keyn laughed; something got stuck in his throat half way, and he coughed for breath. "i can see you're good to go,” tablin observed as keyn struggled to clear his throat. “go get your horse yourself before i take the job and leave you to rot in the flowing barrel."

Is conciseness and formality more of a courtesy than a requirement in an adjustment letter