Though wise men at their end know dark is right,
because their words had forked no lightning they
do not go gentle into that good night.

good men, the last wave by, crying how bright
their frail deeds might have danced in a green bay,
rage, rage against the dying of the light.

wild men who caught and sang the sun in flight,
and learn, too late, they grieved it on its way,
do not go gentle into that good night.

grave men, near death, who see with blinding sight
blind eyes could blaze like meteors and be gay,
rage, rage against the dying of the light

which statement best describes the effect of the repetition of "men” preceded by an adjective?

it reinforces the idea that all people, not just the speaker's father, should fight against death.

it emphasizes that all men, no matter what their lives have been like, should accept death when it comes.

it supports the speaker's idea of an eternal life after death for people of all walks of life.

it highlights the speaker's grief at being unable to come to his dying father's bedside.

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.