During the revision process, the writer should add to clearly signal the relationship between the writer’s ideas.

Julius caesar. [brutus.] with this, she fell distraught, and, her attendants absent, swallowed fire. cassius. and died so? brutus. even so. cassius. o ye immortal gods! [enter lucius, with wine and taper] brutus. speak no more of her. give me a bowl of wine. in this i bury all unkindness, cassius. cassius. my heart is thirsty for that noble pledge. fill, lucius, till the wine o'erswell the cup; i cannot drink too much of brutus' love. [exit lucius. enter titinius, with messala] brutus. come in, titinius; welcome, good messala. now sit we close about this taper here, and call in question our necessities. cassius. portia, art thou gone? brutus. no more, i pray you. what moral dilemma does brutus confront in this excerpt? brutus lets go of his anger toward cassius and forgives him. brutus decides that he will not mourn portia and will stay loyal to cassius. brutus decides that he is too angry at cassius to remain friends with him. brutus questions whether cassius's life should be ended.

Read the sentence. entence. talbera replied, "i cannot drive through the mud" where should the period be placed? 1. talbera replied, "i cannot drive through the mud". 2. talbera replied, "i cannot drive through the mud."

In the new york times article "radio listeners in panic," what was the purpose of including stories of mass hysteria caused by the radio broadcast of the war of the worlds?