English, 25.10.2019 06:43, melmar76

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why is choosing strong nouns and verbs important when writing poetry ?

a strong nouns and verbs create specific imagery
b strong nouns and verbs create difficult imagery
c strong nouns and verbs create strong adjectives
d strong nouns and verbs create challenging metaphors

Answers: 1

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The answer is: [A]: strong nouns and verbs create SPECIFIC imagery.

Explanation: Refer to the actual question:

"Why is choosing strong nouns and verbs important when writing poetry ?

Note the following text within the question:
"strong nouns and verbs"; and: "..when writing poetry?"

Let us examine the remaining answer choices:

→Let us examine "Answer choice B: strong nouns and verbs create difficult imagery."
→This is incorrect. It seems not to make sense that it would be "important" to choose "strong nouns and verbs" to create "DIFFICULT" imagery. The creation of "DIFFICULT" imagery would seems to confuse the reader.

→Let us examine "Answer choice C: strong nouns and verbs create strong adjectives."
→This is incorrect, since nouns and verbs do not "create" adjectives.

→Let us examine "Answer choice D: strong nouns and verbs create challenging metaphors."
→This is incorrect, since nouns and verbs do not "create" metaphors.

This leaves us with: "Answer choice, A" as the best, and correct,

[A]: strong nouns and verbs create specific imagery.

{Note: This definitely makes more sense than: ["Answer choice: "B": the creation of "DIFFICULT imagery"]; which would tend to confuse or distract there reader [as mentioned above). The use of language [strong nouns and verbs, in these particular answer choices given] to create SPECIFIC imagery— which corresponds to: "Answer choice, A"—makes the most sense.}.

answered: Guest

answer: a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

ha! ha! false to me?

othello

argh! she’s cheating on me?