he biblical story of Saint Paul the Apostle is about the transformation of a man from a persecutor of Christians to one who helped spread the message of Christianity. The story of Saint Paul, previously known as Saul, has many parallels with Scrooge’s story in A Christmas Carol. Read an excerpt from the Acts of the Apostles. Then describe what the story of Saint Paul and his conversion to Christianity has in common with Scrooge’s story in A Christmas Carol.

In A Christmas Carol, the spirits make Scrooge understand the consequences of his actions. They show him that the life he is living isn’t the true path to happiness. This experience is similar to the way that God made Saul see the error of his ways. Later, Scrooge makes the most of his revelation by changing his ways completely. However, in much the same way as early Christians doubted Saul’s conversion to the Christian Paul, the people of London at first doubted the change in Scrooge. But after seeing the genuineness of both men’s actions, people accepted them as they went on to set a legacy through their good works.

Explanation:

In A Christmas Carol, the spirits make Scrooge understand the consequences of his actions. They show him that the life he is living isn’t the true path to happiness. This experience is similar to the way that God made Saul see the error of his ways. Later, Scrooge makes the most of his revelation by changing his ways completely. However, in much the same way as early Christians doubted Saul’s conversion to the Christian Paul, the people of London at first doubted the change in Scrooge. But after seeing the genuineness of both men’s actions, people accepted them as they went on to set a legacy through their good works.

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serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.