PLEAS HEPPP Use the drop-down menus to answer the questions. What does Paul say likely motivates him to let Mitchell

ride Ghost Wind?

Is Paul's motivation intrinsic or extrinsic?

I looked down at Mitchell and stopped, knowing that

despite our understanding, he was itching for a fight with

me. Now, I don't know what possessed me in that

moment to say the next thing I did. Maybe I was feeling

guilty that because I was my daddy's son, I could ride

Ghost Wind. Maybe it was that, but it wasn't out of fear I

said what I said. I no longer was afraid of Mitchell. "You

want to ride him?" I asked.

Mitchell took a step backward. It was obvious he hadn't

expected me to say that. "You know I can't ride him," he

said. "Your white daddy'd kill me."

"You want to ride him?" I asked again.

Mitchell looked at the stallion, then at me. "So, what if I

do?"

Read the following excerpts that illustrate darl's and cash's points of view from william faulkner's as i lay dying : from darl: read the following excerpts that illustrate darl's and cash's points of view from william faulkner's  as i lay dying: from darl: tull's wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. in the wagon bed are two chairs. jewel stops at the spring and takes the gourd from the willow branch and drinks. i pass him and mount the path, beginning to hear cash's saw. when i reach the top he has quit sawing. standing in a litter of chips, he is fitting two of the boards together. between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, cash is. he holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. he kneels and squints along the edge of them, then he lowers them and takes up the adze. a good carpenter. addie bundren could not want a better one, better box to lie in. it will give her confidence and comfort. i go on to the house, followed by the          chuck.          chuck.          chuck. of the adze. from cash: i made it on the bevel. there is more surface for the nails to grip. there is twice the gripping-surface to each seam. the water will have to seep into it on a slant. water moves easiest up and down or straight across. in a house people are upright two thirds of the time. so the seams and joints are made up-and-down. because the stress is up-and-down. in a bed where people lie down all the time, the joints and seams are made sideways, because the stress is sideways. except. a body is not square like a crosstie. animal magnetism. the animal magnetism of a dead body makes the stress come slanting, so the seams and joints of a coffin are made on a bevel. compare how the two narrators tell the story of addie bundren's impending death. is either narrator reliable? explain what the reader learns about each narrator. be sure to use specific details from the text to support your answer.

Which lines foreshadow macbeths eventual killing of the king

What does the video on the wilderness downtown website incorporate to create the end product?