C. Why did Gulliver go to Glubbdubdrib?
a. His ship was blown off course.
He had an inaccurate map and landed there by
mistake.
b. He stopped there to get fruit and vegetables. d. He had time to kill while waiting for a ship to
Luggnagg.

[content deleted] - user123802726recklesschicken

i think idk if im right but i think its d

the grass-plot before the jail, in prison lane, on a certain summer morning, not less than two centuries ago, was occupied by a pretty large number of the inhabitants of boston; all with their eyes intently fastened on the iron-clamped oaken door.

— the scarlet letter,

nathaniel hawthorne

''eyes intently fastened''

''iron-clamped oaken door''

are the answers

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran