During the 1960s, literary and graphic design communities throughout the world were astounded and delighted by the experimental typography of French designer , whose work has affinities with futurist and Dadaist typography. His designs for Eugène Ionesco’s plays combine the pictorial conventions of the comic book with the sequencing and visual flow of the cinema. The drama of La Cantatrice Chauve (The Bald Soprano) is enacted through Henry Cohen’s high-contrast photographs (Fig. 21-61/21-59). Each character is assigned a typeface for his or her speaking voice (Fig. 21-62/21-60) and is identified not by name but by a small photographic portrait.

Thank you very much for the points friend! It's helping a lot!

explanation:

you only need simple sentences to answer this. just answer these questions.

what do you think annie thinks of the mother? do you think annie believes the mother is a fit mother for helen.

what about the father? what would annie think of him? she might not like him, but does she respect him.

how about the son? would annie think he is the only voice of sanity in an insane place?

what about helen herself? this is the key question. how does she see helen? what do you suppose she thought her first job was going to be.

these aren't hard questions. just state the obvious. annie is not that well educated: she just knows what she has to do. write it that way.

you can do it if you've read the book or seen the play or movie.