Read the claim Which statement is the strongest counterclaim to the
claim?
Claim: The Great Wave is the most historically
significant artifact within Japanese culture because it
signifies Japan's hesitation to join the global economy.
The Great Wave was made around 1830 by the
great artist Hokusal and is one of his series Thirty-six
Views of Mount Fuji
O Since The Great Wave is a work of art, the idea that
it signifies Japan's hesitation to join the global
economy is simply one interpretation
There are other paintings that more strongly
represent Japan's hesitation to open its ports and
Join the global economy
After receiving a letter from the president of the
United States in 1853, Japan quickly embraced the
new economic model it had been forced to accept.

Returning from vietnam, we were indeed given a parade. crowds of screaming people waving signs — not just on one road, one day. no, they were everywhere. every day. on the streets, on the television, on the radio. a hot, angry tangle of shaking fists and ugly words that threatened us like a monster with a hundred heads. our country had chewed us up and spit us out, and now we were being treated as if it were our fault. what is one way the author's use of language contributes to the tone of this passage? a. the use of figurative language creates a feeling of resentment. b. the phrase "hot, angry tangle" is used sarcastically to create irony. c. the word "parade" is used sarcastically to create a lighthearted mood. d. the parallelism draws attention to the confusion of those returning.

How does woodrow wilson make his central idea more persuasive? he argues that free trade and unrestricted commerce is the best way to ensure peace, he argues that the german people want peac and would welcome us intervention. he claims that the united states is now a major power and must restore peace, he concludes by arguing that only war can ensure others the peace and freedom that americans enjoy the answer is d. he concludes by arguing

How many characters' thoughts does the reader have access to in a second-person narrative? a. one b. two c. all d. none e. three