Which is the proper Turabian Citation below? 3L. Michael White, “The Essenes and the Dead Sea Scrolls,” Frontline, April 1998,
https://www. pbs. org/wgbh/pages/frontline/shows/reli gion/portrait/essenes. html.
3. L. Michael White, “The Essenes and the Dead Sea Scrolls,” Frontline, April 1998,
https://www. pbs. org/wgbh/pages/frontline/shows/reli gion/portrait/essenes. html.
3 White, L. Michael. https://www. pbs. org/wgbh/pages/frontline/shows/reli gion/portrait/essenes. html.
3. White.

3.L. Michael White, April 1998, The Essenes and the Dead Sea Scrolls,
https://www. pbs. org/wgbh/pages/frontline/shows/reli gion/portrait/essenes. html.

Read the excerpt from elie wiesel’s all rivers run to the sea. why were those trains allowed to roll unhindered into poland? why were the tracks leading to birkenau never bombed? i have put these questions to american presidents and generals and to high-ranking soviet officers. since moscow and washington knew what the killers were doing in the death camps, why was nothing done at least to slow down their “production”? that not a single allied military aircraft ever tried to destroy the rail lines converging on auschwitz remains an outrageous enigma to me. birkenau was “processing” ten thousand jews a day. stopping a single convoy for a single night—or even for just a few hours—would have prolonged so many lives. based on the paragraph, the author would most likely agree that it is best to avoid confrontation at all costs. people need to be proactive when they witness an injustice. countries should remain neutral to keep alliances strong. moscow and washington are to be blamed for the holocaust.

Hurry 100 points consider the speakers in "the raven" and the speaker in "the song of wandering aengus."write two paragraphs to compare and contrast the voice in these two poems. how does the poet give the speaker in each poem a distinctive voice? what effect does this voice have in each poem?

Which characteristic of james baldwin’s “notes of a native son” qualify as a work of literary nonfiction