Arrange the events in chapters 1–12 of Jane Austen's Pride and Prejudice in order from earliest to latest.

According to the article, what is the author's point of view toward rebellion in adolescence (i. e. good, bad, necessary evil)? cite evidence from the text in your answer. (source is rebel with a cause: rebellion in adolescence)

When i was young enough to still spend a long time buttoning my shoes in the morning, i'd listen toward the hall: daddy upstairs was shaving, in the bathroom, and mother downstairs was frying the bacon. they would begin whispering back and forth to each other up and down the stairwell. my father would whistle his phrase, my mother would try to whistle, then hum hers backi drew my buttonhook in and out and listened to it -know it was "the merry widow." the difference was, their song almost floated with laughter. how different from the record, which growled from the beginning, as if the victrola were only slowly being wound up. they kept it running between them, up and down the stairs where i was now just about ready to run clattering down and show them my shoes. what is the effect of the parallelism used in the above excerpt? it establishes the rhythm of a duet to echo the song. it expresses the same ideas. it mirrors opposite ideas. it is a paradox.

Robert was not waiting for her in the little parlor. he was nowhere at hand. the house was empty. but he had scrawled on a piece of paper that lay in the lamplight: "i love you. good-by—because i love you." what significant idea, presented throughout the novel, does robert's final departure and note highlight? edna is ultimately alone in her rebirth. edna needs to find solace in her children. edna will never be truly loved by anyone. edna should not have forsaken her family.