Which two sentences in these excerpts reflect the common theme of soldiers' reluctance to talk about their war experiences?

Explanation:

Ambush

by Tim O'Brien (excerpt)

When she was nine, my daughter Kathleen asked if I had ever killed anyone. She knew about the war, she knew I'd been a soldier. "You keep

writing war stories," she said, "so I guess you must've killed somebody." It was a difficult moment, but I did what seemed right, which was to say,

"Of course not," and then to take her onto my lap and hold her for a while. Someday. I hope, she'll ask again. But here I want to pretend she's a

grown-up. I want to tell her exactly what happened, or what I remember happening, and then I want to say to her that as a little girl she was

absolutely right. This is why I keep writing war stories:

Symptoms

by John Steinbeck (excerpt)

if they had been reticent men it would have been different, but some of them were talkers and some were even boasters. They would discuss

their experiences right up to the time of battle and then suddenly they wouldn't talk anymore. This was considered heroic in them. It was

thought that they had seen or done was so horrible that they didn't want to bring it back to haunt them or their listeners. But many of these

men had no such consideration in any other field.

Only recently have I found what seems to be a reasonable explanation, and the answer is simple. They did not and do not remember--and the

the worse the battle was, the less they remember.

realistic fiction depicts life and society in a true to life  manner.

its main characters are dynamic.

they grow and transform with their experiences, making it easier for readers to  relate to them.

this genre primarily focuses on the  daily struggles  of ordinary people, validating their experiences.

hope that ! : )

explanation:

dear evan hansen is a stage musical with music and lyrics by benj pasek and justin paul, and book by steven levenson.

the musical opened on broadway at the music box theatre in december 2016, after its world premiere at the arena stage in washington, d.c., in july 2015 and an off-broadway production at second stage theatre from march to may 2016.

at the 71st tony awards, it was nominated for nine awards, winning six, including best musical, best score, best actor in a musical for ben platt, and best featured actress in a musical for rachel bay jones.