Why does Prospero forgive conspirations? What does Prospero do for Caliban and Ariel in the final scene?

(The Tempest, Act IV–V)​

Which questions would most a reader identify the author's purpose for writing? check all that apply. what type of text is this? what type of reviews did the book receive? how many copies of the book have been sold? what is the central idea? how does this text make one feel? mark this and return save and exit

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.

Which sentence contains an allusion? a. pamela and her twin are as alike as two peas in a pod, and they do everything together. b. pamela has a weakness for chocolates, which she says she's had since early childhood. c. pamela's face was as white as a ghost when she learned the shocking news about her brother. d. pamela's backyard looks like the garden of eden, with dozens of green and lush plants. e. pamela found herself trapped between a rock and a hard place, and she didn't know what to do.