Which propaganda technique is used in this passage? repetition
hyperbole
name-calling
Ocard-stacking
Read the passage from Animal Farm,
It was a few days later than this that the pigs came upon
a case of whisky in the cellars of the farmhouse. It had
been overlooked at the time when the house was first
occupied. That night there came from the farmhouse the
sound of bud singing, in which, to everyone's surprise,
the strains of "Beasts of England were mixed up. At
about half past nine Napoleon, wearing an old bovder hat
of Mr. Jones's, was distinctly seen to emerge from the
back door, gallop rapidly round the yard, and disappear
indoors again. But in the morning a deep silence hung
over the farmhouse. Not a pig appeared to be stirring. It
was nearly nine o'clock when Squealer made his
appearance, walking slowly and dejectedly, his eyes dull,
his tail hanging limply behind him, and with every
appearance of being seriously il He called the animals
together and told them that he had a terrible piece of
news to impart. Comrade Napoleon was dying

Read the excerpts from "the royal house of thebes" and "the story of a warrior queen." "we are women," she told her sister. "we must obey. we have no strength to defy the state." "choose your own part," antigone said. "i go to bury the brother i love." "you are not strong enough," ismene cried. "why, then when my strength fails," antigone answered, "i will give up." she left her sister; ismene dared not follow her. —"the royal house of thebes" again and again the romans were defeated, till it almost seemed as if the britons really would succeed in driving them out of the country. boadicea herself led the soldiers, encouraging them with her brave words. "it is better to die with honor than to live in slavery," she said. "i am a woman, but i would rather die than yield. will you follow me, men? " and of course the men followed her gladly. —"the story of a warrior queen" how are the archetypes presented in these two passages different? the first passage shows antigone as a warrior, and the second passage shows boadicea as a tragic heroine. the first passage shows antigone as a tragic heroine, and the second passage shows boadicea as a sage. the first passage shows antigone as a rebel, and the second passage shows boadicea as a warrior. the first passage shows antigone as a villain, and the second passage shows boadicea as a sage.