How do paragraphs 1-2 contribute to the development of ideas in the article the end of big trees? Select TWO answers.

It was a classic episode on the old Candid Camera show — people getting on an elevator and turning backward just because everyone else did, and we all laughed. We laughed again during the movie Mean Girls, when an act of teenage revenge — cutting nasty Queen Bee Regina’s T-shirt during gym class (an act meant to insult her) — became a school fashion trend instead.

It turns out the joke is on us. These two examples illustrate something that we humans don’t like to admit about ourselves: We follow the pack. Like birds in a flock or sheep in a pasture, we follow — sometimes at our own peril.

Explanation:

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran