This is about Analyzing Drama - “Sorry, Wrong Number” Define the following drama terms.
Drama -

Cast of characters

Dialogue

Stage directions

Plot

Setting

Conflict

1. Why is it essential to read the background on p. 131 before reading the radio play?

2. How do you think a radio play would differ from a stage play?

While You Read - Read the play and fill out the detailed plot chart based upon the radio play, “Sorry, Wrong Number”.
Exposition:
-Setting (Time & Place)

-Major Character
-Minor Characters

Rising Action:
-Problem/Conflict Identified

-Important Detail

-EVENT 1

-Foreshadowing (Clues what will happen in the story)

-EVENT 2

Climax (highest point of action)
-What major change in the story occurred?

-Inference that Reader Makes

Falling Action

-Event 3

-Dramatic Irony (what the audience/reader knows)

Outcome/Resolution

please help many as possible

Need ! compare and contrast your independent reading selection with one or two other selections you have read in this unit. support your response with at least two pieces of evidence from your independent reading selection. be sure to give the title and author of your selection.

What are the sections included within a business memo

Read the excerpt from the war of the worlds, in which the first martian exits the spacecraft. a sudden chill came over me. there was a loud shriek from a woman behind. i half turned, keeping my eyes fixed upon the cylinder still, from which other tentacles were now projecting, and began pushing my way back from the edge of the pit. i saw astonishment giving place to horror on the faces of the people about me. i looked again at the cylinder, and ungovernable terror gripped me. i stood petrified and staring. what option accurately analyzes the impact of the narrator's thoughts and actions on the tone of the excerpt? the war of the worldsa disdainful tone is created as the narrator ponders the ugliness of the tentacles and turns to the shrieking woman. a melancholy tone is created by the narrator's thoughts of fear and refusal to avert his eyes. a tone of determination is created when the narrator thinks of escape and backs away from the edge of the pit. a fearful tone is created through the narrator's thoughts of horror and his glance at the cylinder.