1. Adichie was younger, what did a story need to have? How did she come to this
conclusion?

Brainiest

Explanation:

Adichie recounts speaking to an American student who, after reading her novel centered on an abusive male protagonist, lamented the fact that Nigerian men were abusive. Having just read American Psycho, Adichie returns his pity, and calls it a shame that “all young American men are serial killers.” The TED audience laughs at the absurdity of this generalization and her point is clear: on a micro-level, the danger of a single story is that it prevents people from authentically connecting with people as individuals. On a macro-level, the issue is really about power: almost by definition, there are many stories about the dominant culture so the single-story threatens to create stereotypes that stick to groups that are already disempowered.

recent news about two years ago indicates that a polish forestry student by chance unearthed at a depth of about 40cm (16 inches), during digging in a damp polish forest he found a 13-page manuscript into a thermos flask.

greek jew marcel nadjari was a aischwitz slave who witnessed how the nazi's built big death chambers and crematoriums and told how he was forced to escort fellow jews to the gas chambers. he accounts on this manuscript how the nazi's disguised this chambers to look like showers. also, he describes this place as a process of extermination from the chambers to the trains arriving to take the bodies.

dramatic irony occurs when the reader/audience knows more about a character's situation than the character does. the one main effect is that it gives the reader a sense of superiority, or detached superiority. the reader not only seemingly discovers what is revealed, but feels superior for doing so.