Identify the type of Internet writing most appropriate for this passage. Analyze the passage in terms of purpose, content, and tone, and explain how these contribute to your understanding of what type of writing it is. Write your answer in the text box below. Passage:
I'd like to add my voice to those upset about Fantasy Voyage II. The original Fantasy Voyage was one of the best role-playing video games of all time, and it wasn't because of the realistic graphics or innovative use of social media — it was the writing, the narrative that rolled out like a red carpet across the misty landscapes of Vladaros. Playing that game provided a deeper understanding of Queen Elmglot and her noble companions as they braved the mysterious Orc Cloud then scurried along the Spikey Ridge before facing betrayal on Quagmire Mountain. Their motivations and conflicts were so well drawn that they felt like family, and that made the adventure so much more rich and vivid. But still, to the writers' credit, the game was full of surprises. Fantasy Voyage II, on the other hand, is written with such lack of imagination it's like going grocery shopping with your grandmother. It's safe and lacks any surprises. You pretty much know how it's going to turn out. Is it just me, or does anyone else think the writing for FVII is a failure?

From “the carolina way” what is the following quote an example of? “ i made them understand that our plan would fall apart if they didn’t take care of one another: set screens; play team defense; box out; pass to the open man.” a. cultural context b. shared value c. historical context d. universal theme

Which line in this excerpt from the great gatsby by f. scott fitzgerald contains a simile? about half way between west egg and new york the motor-road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. this is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. occasionally a line of grey cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-grey men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects