Which excerpt represents the call-and-response format derived from jazz music? Deferred
by Langston Hughes (excerpt)

Maybe now I can have that white enamel stove
I dreamed about when we first fell in love
eighteen years ago.
But you know,
rooming and everything
then kids,
cold-water flat and all that.
But now my daughter’s married
And my boy's most grown--
quit school to work--
and where we're moving
there ain't no stove--
Maybe I can buy that white enamel stove!

Island
by Langston Hughes (excerpt)

Black and white,
Gold and brown--
Chocolate-custard
Pie of a town.

Dream within a dream,
Our dream deferred.

Good morning, daddy!

Ain't you heard?

Harlem
by Langston Huges (excerpt)

Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?

< > answer < >

multiple settings

< > reasoning \ evidence < >

novels have multiple settings. a setting is a place or surrounding when a main event or event takes place. not everything happens in just one scene or setting. yes, there can be one *main* setting, but there is definitely not just one. b is incorrect. novels do not have limited characters. there are many characters in a novel, depending on how many the writer wishes to add in. c is incorrect. there is not just a single theme. there are many themes. another word for "theme" is the subject. there can be many subjects and topics. once again, there are many, depending on however many the author wishes to add or include. d is incorrect. yes, novels *can* have no solutions, based on what the author would like. but typically, novels have a solution. the solution might be in "book 5", but there is normally still a solution.

< > eclipsed < >

c

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