1. Black families who were relocated in order to create white-only settlements struggled to survive and thrive. Noah I states, "So many black families spend all of their time trying to fix the problems of the past. That is the curse of being
black and poor, and it is a curse that follows you from generation to generation. My mother calls it the 'black tax.'
Because the generations who came before you have been pillaged, rather than being free to use your skills and
education to move forward, you lose everything just trying to bring everyone behind you back up to zero" (p. 66).
Spend some time researching the movement of races in South Africa post-apartheid, including which resettlements
were voluntary and which were forced by the government. Where do Noah's accounts resonate with other historical
versions of these events, and where do his accounts diverge from them? How and why do you think these
relocations impacted racial equality and upward mobility?

Which is best evidence that mary is beginning to change

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects

Which two pieces of evidence support the idea that coal is underutilized? this was on study island about coal