THIS IS FOR THE JOURNEY TO THE CENTER OF THE EARTH You have two options for this task.

Option 1: Create your own stage or film interpretation of one scene or chapter from Journey to the Center of the Earth, write it out in script or screenplay format, or you can actually film it and upload it to your instructor. You can conduct an Internet search for sample scripts or screenplays to help you with the basics of formatting.

Remember, you are only doing one section. Pick a chapter and go to town!

Option 2: Write an analysis of how the filmmakers of one of the adaptations chose to recreate the movie. Pick a scene — for example, the desperate search for water — and describe and explain how the filmmakers adapted the novel. What parts did they keep? What parts did they change? Why do you think they did that? Do you agree with those decisions? Do you think they made for a better movie? Why or why not?

Write these answers up in a 2 paragraph essay and submit it to your instructor.

Explanation:

No words in any human language can depict my utter despair. I was literally buried alive; with no other expectation before me but to die in all the slow horrible torture of hunger and thirst.

Mechanically I crawled about, feeling the dry and arid rock. Never to my fancy had I ever felt anything so dry.

But, I frantically asked myself, how had I lost the course of the flowing stream? There could be no doubt it had ceased to flow in the gallery in which I now was. Now I began to understand the cause of the strange silence which prevailed when last I tried if any appeal from my companions might perchance reach my ear.

It so happened that when I first took an imprudent step in the wrong direction, I did not perceive the absence of the all-important stream.

It was now quite evident that when we halted, another tunnel must have received the waters of the little torrent, and that I had unconsciously entered a different gallery. To what unknown depths had my companions gone? Where was I?

How to get back! Clue or landmark there was absolutely none! My feet left no signs on the granite and shingle. My brain throbbed with agony as I tried to discover the solution of this terrible problem. My situation, after all sophistry and reflection, had finally to be summed up in three awful words—

Lost! Lost

Lost at a depth which, to my finite understanding, appeared to be immeasurable.

These thirty leagues of the crust of the earth weighed upon my shoulders like the globe on the shoulders of Atlas. I felt myself crushed by the awful weight. It was indeed a position to drive the sanest man to madness!

I tried to bring my thoughts back to the things of the world so long forgotten. It was with the greatest difficulty that I succeeded in doing so. Hamburg, the house on the Konigstrasse, my dear cousin Gretchen—all that world which had before vanished like a shadow floated before my now vivid imagination.

There they were before me, but how unreal. Under the influence of a terrible hallucination I saw all the incidents of our journey pass before me like the scenes of a panorama. The ship and its inmates, Iceland, M. Fridriksson, and the great summit of Mount Sneffels! I said to myself that, if in my position I retained the most faint and shadowy outline of a hope, it would be a sure sign of approaching delirium. It were better to give way wholly to despair!

In fact, did I but reason with calmness and philosophy, what human power was there in existence able to take me back to the surface of the earth, and ready, too, to split asunder, to rend in twain those huge and mighty vaults which stand above my head? Who could enable me to find my road—and regain my companions?

Insensate folly and madness to entertain even a shadow of hope!

"Oh, Uncle!" was my despairing cry.

This was the only word of reproach which came to my lips; for I thoroughly understood how deeply and sorrowfully the worthy Professor would regret my loss, and how in his turn he would patiently seek for me.

When I at last began to resign myself to the fact that no further aid was to be expected from man, and knowing that I was utterly powerless to do anything for my own salvation, I kneeled with earnest fervor and asked assistance from Heaven. The remembrance of my innocent childhood, the memory of my mother, known only in my infancy, came welling forth from my heart. I had recourse to prayer. And little as I had a right to be remembered by Him whom I had forgotten in the hour of prosperity, and whom I so tardily invoked, I prayed earnestly and sincerely.

This renewal of my youthful faith brought about a much greater amount of calm, and I was enabled to concentrate all my strength and intelligence on the terrible realities of my unprecedented situation.

I had about me that which I had at first wholly forgotten—three days' provisions. Moreover, my water bottle was quite full. Nevertheless, the one thing which it was impossible to do was to remain alone. Try to find my companions I must, at any price. But which course should I take? Should I go upwards, or again descend? Doubtless it was right to retrace my steps in an upward direction.

the correct answer is b. in order to explain a point clearly in an essay, it is always better to include a clear example of your ideas. including an scenario in which a family is affected by consumerism will support your argument as well as supporting details, such as quotations from experts and statistics. option a could be correct, but statistics and quotations are supporting ideas rather than clear explanations. choices c and d are simply inadequate. they do not add information about the effects of consumerism, rather they are strategies for engaging the reader

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explanation: